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This Blog
The goalie's anxiety, as Peter Handke pointed out in his novel with that name, is semiotic in nature. [photo of the goalie by Zarko Radakovic]
About Me
Popular Posts
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Quick translation of the poem published in the Süddeutsche Zeitung on April 4, 2012 What must be said Why am I silent, silent for too... -
This book has been lying on my shelf for a couple of months now. Because I like Peter's work so much and because his prose requires ex... -
Welches empfinden Sie als das beste Buch von Handke? Okay, blöde Frage. Die besten drei! Which book do you think is Handke's best? Okay,... -
The novel's final chapter, Chapter 9, begins with the actor walking through the city in the night, waiting for the appointed time when ... -
Driving through central Utah the other day, feeling loose and even easy, I listened to Sonny Rollins' album "Saxophone Colossus,&qu... -
Last night, at the UVU Library Auditorium, courtesy of Alex Caldiero's Happenings in Humanities, Jennifer Miller, "The Bearded ... -
Because my Picassa/Blogspot limit for storing photos has been reached, I have begun Part Two of The Goalie's Anxiety HERE .
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Michael's latest comments about the book include some fine memories of walking. After a morning walking on the beach (sometimes ba... -
Rode my bike up the steep streets of Woodland Hills this afternoon, feeling good but a little saddle sore after yesterday's ride, the fi...
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- Punctum Books
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- Torrey House Press
- Approximately Limitless
- Nina Pops
- Open Letters Monthly
- Discussion of Immer noch Sturm / Still Storm
- flowerville [beautiful and thoughtful at once]
- M. Roloff's collection of reviews of "The Great Fall"
- Begleitschreiben
- Britain's First Book Blogger
- Deconstructing Yugoslavia
- Michael Roloff's Peter Handke Site
- Handke Discussion
- bigbangbigband
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2 comments:
Nice pictures. Winter looks good from your vantage point!
I think the older LDS temples are really interesting architecturally. I get the sense that the more recent ones feel less creative in comparison. I enjoy seeing all the symbols on the older ones: the suns and stars and all that.
I agree. And, for me, another part of the charm of 19th-century Mormon temples is their rural setting. When, as is still the case in Manti, the only other buildings are farm houses and some two-story store fronts, a building like this one rises up like a colossus, witness to an intense drive to make something, to build something truly lasting.
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